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Eclano Mirabella. Conference studies D. Pasquale Di Fronzo


Eclano Mirabella, the footsteps of the Sacred, Don Pasquale Di Fronzo and the artistic and cultural heritage. Study Congress
Mirabella Eclano

FOOTSTEPS OF THE MEETING OF THE SACRED HONOR STUDIOPER

D. Pasquale Di Fronzo

The indefatigable Don Pasquale Di Fronzo, priest and historian attentive to issues Irpinia, every year we have become accustomed to the appointment of its publication, The little encyclopedia of sacred art in Alta Irpinia, now in its nineteenth volume, never ceases to amaze lovers of history, pastoral workers and readers. Since its

Eclano Mirabella, sharp as a mentor, he continues his tireless work of evangelization and culturale.Ogni public and private library has the shelf in his books, consulted and expected by the people.

From his study of his home country, the historian and the priest, "sample Dome", has become like a river that floods all humility and with patient and get to know people's hearts with his writings and strong very thick at the center of the whole man and the Christian-backed Never bend, strong, looking for sources and historical facts and art that speaks to the heart of man and a flood that bursts coma beneficial for the land Irpina.

The Sacred Art in Alta Irpinia, is a mine of information cards and art history from the most important to those children, art becomes a professor of sacred teachings and curiosity all turned to the "real" evangelization and social communication .

Knowing the author as a uonmo who does not like praise but delighted that the people working in the field of culture and promotion, I am honored to be a disciple and friend, and I commend the blog and columns of this newspaper, sincere gratitude of those who knew him and followed in many adventures in the research and protection of our cultural heritage, religious and artistic, which is the product of great sacrifice, but above all an expression of faith of our ancestors.

E 'with pleasure and joy that we all share in the long-time friends Study Congress: In the Footsteps of the Holy, Don Pasquale Di Fronzo and the artistic and cultural heritage that is held in Mirabella Eclano December 27, 2008, the venue is the prestigious Auditorium of the Annunciation.

A whole morning dedicated to the figure of Notre scholar, researcher and priest from the great human and spiritual gifts, its a life committed to service of all, remember the fruitful mission pastor in Rocca San Felice, for over thirty-three, Don Pasquale is the successor to the already rich array of historical and priests as D. Vincenzo Maria Santoli, P. Raymond Guarino, Nicola D. Gambino, to name a few, who have made history and who devote all their energies to the enhancement of our historical and religious land of Irpinia.

is the program that will be divided with the greeting of Mayor Vincenzo Mirabella Eclano Mr. Sirignano.

The introduction is entrusted by prof. Francesco Barra , Professor of History at the University of Salerno, one of the most prolific and careful historians and scholars, the cutting edge of our province.

Prof. Gennaro Passaro, a professor of history at the Collage of the local Church of Religious Science "S. Giuseppe Moscati," Avellino-awaited report " Don Pasquale Di Fronzo, historical activity" .

"Memory, oblivion and place, is the set of Prof. Fausto

Baldassarre, professor of history and philosophy at the high school Colletta el'ISSR" G-Moscati, "Avellino.

Dr. Fabio Testa, art historian, relates to " Sacred Art in Irpinia and Europe . In the second

part is addressed to the poetic dimension and enhancement of cultural heritage. The

Porf.ssa Maria Rosaria Di Rienzo presents: "The poetry taught faith," while Prof. Paolo Saggese , professor of Latin letters and grace at the School of Nusco, gives an overview: " Enhancement of Cultural Heritage: achievements and prospects .

We express our thanks to D. Easter with the hope that it can continue to be present in the world of literature, arts with his attentive presence and valuable contribution to the enhancement of our Earth. The Irpinia

John Orsogna

PROGRAM

9:30 am: Greeting from the SindacoIng. Vincent Sirignano

9.45 pm: Introduction: Prof. Franco Barra

PROFESSOR OF HISTORY AT THE UNIVERSITY OF SALERNO

10.00 am: " Don Pasquale Di Fronzo, historical activity " Report of Prof. Gennaro Passaro

PROFESSOR OF CHURCH HISTORY ROOM AT THE INSTITUTE OF RELIGIOUS STUDIES "S. Giuseppe Moscati OF AVELLINO

10.40 am:" Memory and oblivion, a place "Report of Prof. Fausto Baldassarre

PROFESSOR OF HISTORY AND PHILOSOPHY AT THE HIGH SCHOOL" COLLECTION "AND ISSR G. Moscow OF AVELLINO

11.00: " Sacred Art in Irpinia and Europe " Report of Dr. Fabio Festa

art historian

11.20 pm: Break

11.30: "The Poetry teaches the faith? " Report poet Prof. Maria Rosaria Di Rienzo

Ore 11.50: " Enhancement of Cultural Heritage: Review and Prospects" report by Prof. Paolo Saggese

PROFESSOR OF LETTERS AT THE GREEK AND LATIN THE HIGH SCHOOL CLASSIC NUSCOOre 12.10: Discussion and conclusions

Books unpublished D. Pasquale Di Fronzo

"Sacred Art in Alta Irpinia" (volume XXI), "The clergy altirpino" (Part II) "Ilclero Mirabella", "Ecclesiastical History of the parish of S. Maria Maggiore" (the events of 1959-61), "Rhythms" (Volume III), "Some facts historical Mirabella, "" Story of my history "(reflections)," My Autobiography "; ecc.Opere edite1961 -" The Chariot of Mirabella bleat "(historical-folk), pp. 16.1966 - "Margaret of Swabia in the castle of Rocca San Felice" (eleven-syllable poem of 390 dissolved), pp. 16.1971 - A Brief History of the Diocese of Upper Irpinia "(Church History), pp. 52, "The Sanctuaries of Upper Irpinia," 'pp. 23.1974 - "Guardia Lombardi" (Historically), pp. 238.1976-"My garden" (37 poems in free verse), pp. 32, "lìlago of panting, the shrine of St. Felicitas, Rocca San Felice" (guidaturistica), pp. 32.1977-old world in decline "(essay on superstition), pp. 88.1979 - "Rocca San Felice in 1815 (research on local acts), pp. 52.1985 - "Aftermath of the suppression of the convent of the monastery of Guardia Lombardi" (essay documentary), pp. 23.1988 - "Rhythms" (68 poems over forty), pp. 160.1991 - "Encounters" (first volume of four poems), pp. 80.1992 - "The parish church of Santa Maria Maggiore inRocca San Felice (historical profile), pp. 80, "Encounters" (volumesecondo four poems), pp. 96.1993 - "Encounters" (volume third of four poems), pp. 88.1994 - "The clergy altirpino during the second millennium (230profili biographical), pp. 380; "Margaret of Austria in ruined castles, San Felice (570 hendecasyllables loose), pp. 32, "Meetings" (the fourth volume of four poems), pp. 94, "Rhythms" (50 poesienell'arco six years), pp. 104; "Persecution" (apology), pp.64.1995 - "Encounters" (fifth volume of four poems), pp.96, "Epigrams" (200), pp. 48.1997 - "Sacred Art in Alta Irpinia" (first volume of 43profili), pp. 212, "Meetings" (the sixth volume), pp. 48.1998 - "Sacred Art in Alta Irpinia" (second volume of 40profili), pp. 208; "Sacred Art in Alta Irpinia" (Di31profili third volume), pp. 212, "Meetings" (Volume Seven), pp. 48, "The artesacra in Alta Irpinia" (fourth volume of 32 profiles), pp. 196.1999 - "Sacred Art in Alta Irpinia" (fifth volume of 20profili), pp. 196.2000 - "The path of time" (essay on the letters of ClementeFusero Livio Nargi), pp. 272; "Sacred Art in Alta Irpinia" (the sixth volume of 32 profiles), pp. 204, "The Sacred Art in Alta Irpinia" (the seventh volume of 23 profiles), pp. 204; "Guardia Lombardi" (Historically), second edition, pp. 204.2001 - "Sacred Art in Alta Irpinia" (eighth volume of trediciprofili), pp. 202; "Meetings" (volume eight), pp. 48, "Ecce sacerdos" (biography) pp. 222; "Sacred Art in Alta Irpinia" (the ninth volume of 35 profiles), pp. 1982002 - "The Sacred Art in Alta Irpinia" (the tenth volume of 11profili), pp. 206.2003 - "Vos Estis know terrae" (biography), pp. 144; "Sacred Art in Alta Irpinia" (the eleventh volume of 34 profiles), pp. 208; "Sacred Art in Alta Irpinia" (the twelfth volume of 12profili), pp. 212.2004 - "Sacred Art in Alta Irpinia" (DI12's thirteenth volume) pp. 214; "Sacred Art in Alta Irpinia" (four-volume tordicesimo of 12 profiles), pp. 222.2006 - "Sacred Art in Alta Irpinia" (Volume 11 quindicesimodi profiles) pp. 192; "Sacred Art in Alta Irpinia (volumesedicesimo of 19 profiles) pp. 210.2007 - "Sacred Art in Alta Irpinia" (Volume 16 diciassettesimodi profiles) pp. 200; "Sacred Art in Alta Irpinia (volumediciottesimo) pp. 214; "St. Modesto" (story of an ancient town) pp. 400.2008 - "The investiture and primogeniture" (open letter), "The artesacra in Alta Irpinia" (nineteenth volume of 17 profiles) pp.204; "Sacred Art in Alta Irpinia (twentieth volume of 20 profiles) pp. 200.

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tribute to the poetry of Pasquale Martiniello

Martiniello and poetry of South

In these days, and during the months of October and much of November and December that will be discussed in Irpinia, poetry, poetry of the South, and how this poem could become concrete objects study and reflection, in our schools, those in the province, those in the South

The school, like the University, may actually become the venue for a rediscovery of real, concrete, a poetic production is too often held the edge, too often snubbed, excluded. You will thus realize the hope that more than fifty years ago called for Salvatore Quasimodo, or the creation of a "paper poetry of the South".

In this context, a role can be played by the institutions, the province of Avellino, for example, local authority from high schools, school managers and teachers, and pupils, which could reappropriate their history and their own identity starting from poetry, from poets militants, who told the South by those closest to us, who are its difficult transition to modern society and living. Perhaps in this way, you design a new South, or creating new players, making the young players and aware of the difficulties involved in living here, but also of shared utopias that can lead us out of the current crisis.

short, retrieve a season meridionalistica now relegated to history books and political science means discussing the real problems of South and Irpinia among the people, even among people and between young people who represent our future.

Young people, in these days of discussion on poetry taking place with the "Festival of Poetry of the South", imagine a new leading role, which means in a practical approach to poetry, to write poems, commenting, writing articles, making movies, photographic exhibitions, and even sending e-mails of protest to newspapers that devote little attention to the poetry of the South This is also a good way to hear the voice of dissent from below.

A book dedicated to Pasquale Martiniello

But undoubtedly, because the poetry of the South finally buy a visibility even the slightest must first realize that tools work and study modern and capable of guiding students and teachers in the folds of poetry, and at the same time to stir in the media that interest is lacking.

Thus, a unique poetry in the history of Irpinia, is the volume devoted to poetic works of the poet Pasquale Martiniello plum, one of the deans of the production lines in Irpinia, a prolific author and distinguished authority, whose voice has fascinated many critical and most recently Antonio Crecchio, which has just signed on heavy volume poetic spiritual and artistic evolution of Pasquale Martiniello . The work is meticulous, carefully constructed, which reconstructs the evolution of the author and more than thirty years down the poetic writing, during which twenty-two anthologies were published, some of which are true masterpieces as paradigmatic of the poetry of South

Martiniello, it must be remembered, has devoted much of his life to poetry. The first collection dates back to 1976 ( Testimonials Irpinia), but in reality the poet had written verses from his youth: Most of this production before, however, has been irretrievably lost. Since 1976, however, Martiniello has increasingly intensified his 'poetic work', and in recent years, ie since 1995, has published collections of poetry at least annually.

Crecchio, in detail and taking advantage of the rich literature dedicated to the author, described this vast poetic production, the first phase (1976-1980) at its center the Irpinia. Moreover, the clarification is the title of the first harvest. In this I go back years, the poet describes his land, and recalls a more or less distant past, the rivers (ungarettiani tones), religious beliefs, feelings, hunger, fatigue, starvation, war, Irpinia cursed destiny, women, out-migration.

In this collection, among others, began to be consistently the 'dialogue' and will not stop ever with God, and condemnation of the sad realities of the South By way 'of example, I quote the opening words of the poem that gives the title to one of the collections, "Exodus": "South / purgatory of antique / sighs / penitence and tired. / / Offertory of masses and candles / saints boss-guardian. f you go from always / with barrels full of water / cistern / wine and water bottle, / stocks in many different bags / pockets and seeds in the holds of .... "

With Tears in the doorway (1982) begins the second season of poetry Martiniello. The first part of the collection, in fact, still has a plan and simple style, while the second - Earthquake soul (to the victims of November 23, 1980) - is characterized by a new style, metaphors and images to dark, painful, violent, for example, "A school / horny" (Madness), "the land s'intigra" (On the cheek). Appropriately, Joseph D'Errico, in the preface, he notes: "The poet uses things as symbols of a speech tutt'affatto human feelings and goes down, so to speak, in a magical realism and tragic together. The result is a rugged style and essential, in which the secret dialogue with the things and life becomes vibrant images and words are punctuated with clear understanding of expression, but not isolated and scattered. "

Compared with the first season, the other new feature is the enlargement - so to speak - the panorama of interest: inaugural gathering was linked to Irpinia (significant is the title "Testimonies Irpinia"), with those of the second period deals with the "Italian problem" as a whole ("Viper in the boot"), or further expands the optical (The lament Gea, 1989). The hour of the hyena with (1993) closes this second season: the tone becomes more somber and pessimistic, now the poet expresses his sorrow for a world of monsters and hyenas "who" tear her soul " . This book - the mirror of the climate of Tangentopoli, which then prevailed in Italy - also testifies to the intellectual crisis, which expresses for the first time in its full way before indignatio a political class greedy and corrupt.

With the 1995 opening of the third season of poetry Pasquale Martiniello, the period of memory and the cult of the past. In fact, the reason was already present in previous anthologies, but now, especially with a masterpiece in the genre (The songs memory), the evocation of the past is placed in a timeless space, which also represents an escape from the modern world . With insight, has written in the preface Aniello Montano: "Reading the poems of Pasquale Martiniello, chants memory, has the effect of transport in a time and in a spiritual atmosphere far, far away from the inhuman world and disrupted in which we live, out of our world and roaring whirlwind, pompous and arrogant, but poor humanity and spirituality. "Further, more acutely, Montano mentions Hesiod: in fact, Martiniello can be likened to the great poet of Ascra for the extraordinary love he feels toward of farming.

Montano's reflection can be supported even when the poet points out that wanted to - in the same manner as the other poets of the southern lines `'- groped flight from the world of his ancestors, and as at the end of this flight has desired return: "The flight, Martiniello, carried it out. But, over time, hath been noticed that he was tied to that place and that culture with a kind invisible elastic.

The more he runs, the more elastic the tents, most violently, and returns to the place from which he fled. And, Martiniello riorno this is not a punishment. It is a hope and a plan, at least for you! "

The last - for now - a time of poetry is the most fully Martiniello satirical, outraged," politics ", Baroque, and experimental, and is inaugurated by the lunatics (1999). Fittingly, in his preface to this book, Antonio Crecchio already had written: "Martiniello, a well regarded, is a kind of Janus, with an eye toward the past, to history, civilization literary classic and modern, traditional ethical values \u200b\u200bto the world [...] and another addressed to the present, the topicality, chronicle the daily events, the evolution of the undisputed cai3cerogeni evils of our time, which prefigure as planned, and carried by evil minds and foolish, a kind of curse that the planet can not shake off humanity. There is a social phenomenon, political or moral that is outside of our attention: his reflection touches such a wealth of issues for which it is easy to see his meticulous collection of data, now supplied by the memory, now from reality now by many different media. "

This vein satire, reminiscent of Juvenal, is present in Roots (2000), The showcase (2001), Oxymoron (2003), and is accentuated further in the Woodpecker (2003), The Mosquito (2004 ) and the Spiders (2005), and then in the last owl's eye and The weasels.

Before the disintegration of modern society, facing the moral decline and the wounds of this world corrupt and ill, Martiniello, comparing himself to the woodpecker, you represent themselves in this way: "... I poked at with sharp / webs of consciousness degraded / stucco and the tricks of the politic ...".

Martiniello Italian poet

also Crecchio collecting all the literature devoted to Martineillo reveals, if there were any need, the national character of this author, who have devoted pages to study the likes of George critci Squarotti Barberi, Francesco D ' Episcopo, Ugo Piscopo, Giuseppe Giacalone, Luigi Fontanella, Maffeo Pasquale, Mario Alberto Moriconi, Plinio Perilli ...

short, Martiniello could be one of the poets, that schools could take in Irpinia, and thereby contribute to realizing the paper poetry "of which the South needs and that Alberto Asor has advocated for many years.

SOURCE;

http://www.literary.it/dati/literary/altri/levoluzione_poetica.htm